Compact Size, No Compromises
Weighing just 540g*3, the ZR is one of the lightest cinema cameras in its class. Engineered for on-the-go filmmaking, its dust- and drip-resistant magnesium alloy body delivers reliability in any setting, from the studio to the great outdoors.
Despite its small set-up, ZR is designed to replace bulky multi-component rigs with the following features:
Built-in Cinematic Output
Designed to give filmmakers complete creative control right out of the box— Nikon ZR combines cinematic presets, colour flexibility, and advanced monitoring tools in one streamlined system. Its dedicated Cinematic Video Mode applies standardised shutter angle, frame rate, and colour tone settings for consistent, high-quality output. For stylised looks, users can select from nine RED-curated Imaging Recipes*7, which can be previewed in real time for immediate application.
Notwithstanding, the ZR can support recording in seven video formats, including 12-bit RAW for maximum tonal range and post-production flexibility, 6K/59.94p and 4K/119.98p 12-bit RAW recording in REDWideGamutRGB and Log3G10 profiles, marking the first integration of the RED R3D NE codec into a Nikon camera.
The ZR supports LUT monitoring to its 4.0-inch LCD, allowing easy colour grading previews. The ZR also includes real-time waveform, histogram, and multi-colour zebra overlays, and with support for up to ten 65-point*8 LUTs, alongside 17 and 33-point LUTs for accurate preview or baked-in colour. A configurable shutter angle range of 5.6° to 360° allows for true cinematic motion blur, while its deep-learning autofocus system with 273 AF points, 90% x 90% coverage, across nine categories—including people, animals, vehicles, and aircraft. Face detection is capable of recognising subjects as small as 3% of the frame, providing reliable focus even in wide compositions or fast-moving scenes.
Built for Live, Remote, and Multi-Cam Workflows
Engineered for modern productions, the ZR offers the connectivity, audio performance, and system versatility demanded by today’s filmmakers—all in a complete, self-contained body.
Featuring a comprehensive HDMI and USB-C connectivity, HDMI-CEC*9 tally light compatibility, and ON AIR / PREVIEW indicators, making it an ideal choice for studio-based workflows, multi-camera environments, and even livestreaming.
The ZR’s efficiency in dissipate heat enables silent operation during takes and supports extended recording without the risk of noise interference or mechanical failure, while its Z mount system ensures flexibility with a wide range of native lenses, while also supporting adapted third-party options*10 for specialised needs.
On the audio front, the ZR includes the world’s first native 32-bit float with 3.5mm jack recording, capturing a wide dynamic range without the risk of clipping, even with just the internal microphone. Its integrated OZO Audio system offers five pickup patterns*11—including voice-isolated and 360° modes—and pairs seamlessly with the optional ME-D10 shotgun microphone for broadcast-quality capture without batteries or XLR inputs.
